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AMTV洛杉矶讯，9月25日电影艺术与科学学院公布，大卫·艾耶尔(David Ayer), 罗德·鲍嘉(Rod Bogart)，西奥·格里克(Theo Gluck), 莱斯利·伊威(Leslie Iwerks)，科莱特·米勒豪夫(Colette Mullenhoff)和杰夫·泰勒(Jeff Taylor)已经接受了加入电影艺术与科学学院科学技术委员会的邀请，使该委员会的2018-2019年度成员名单增加到25人。

艾耶尔是一名导演、制片人和编剧，他的作品包括《布莱特》、《自杀小队》、《狂怒》、《蓄意破坏》、《手表末日》、《街头霸王》和《艰难时世》。他还为几部广受好评的电影剧本撰写剧本，其中包括“S.W.A.T.”，“深蓝”，“训练日”，“速度与激情”和“U-571”。艾耶是独立工作室Cedar Park Entertainment的联合创始人。他于2017年成为学院董事分部的一员。

鲍嘉是一名影像科学技术专家，曾为工业光魔、皮克斯和HBO等公司工作。在ILM，他在行业标准OpenEXR图像格式的设计、实现和部署方面发挥了重要作用，这是ACES(学术颜色编码系统)的核心。作为皮克斯的首席色彩科学家，他与皮克斯的图像控制团队一起开创了基于文件的工作流，并为系统的设计做出了贡献，该系统后来成为电影和电视工程师互操作主格式协会(SMPTE IMF)。鲍嘉是美国电影艺术与科学学院视觉效果分部(SMPTE)和视觉效果学会(VES)的成员。

格里克在迪斯尼工作室工作了28年，是一位图书馆修复和保护的主管。自2004年以来，他一直指导工作室的修复项目，并协调对工作室经典动画和短片中硝酸盐底片的大部分进行数字化和保存。在迪士尼任职期间，他是迪士尼人物之声国际的后期制作团队的一员，在此之前，他是布埃纳·维斯塔电影发行公司的电影运营经理。格鲁克是一个普通的学院成员，在科学技术委员会的技术历史、教育和公共项目委员会任职。

导演及制片人伊威的影片“回收生活”获得奥斯卡纪录片提名，电视片“皮克斯故事”获得了艾美奖提名。十多年来，她制作、导演和编辑了多部故事片和短篇纪录片、电视特辑、颂词、公司电影和数字内容。其他作品还包括《赫斯特公民》(Citizen Hearst)、《工业光魔法:创造不可能》(Industrial Light Magic: Creating the Impossible)、《鼠标背后的手- Ub Iwerks故事》(the Hand behind the Mouse – the Ub Iwerks Story)以及《Pipe Dreams》(Pipe Dreams)和《下游》(lower)等环境和社会问题纪录片。她是学院纪录片分会、美国制片人协会和国际纪录片协会的成员。

米勒豪夫是工业光魔法公司的研发工程师。2014年，她因对ILM造型系统的贡献而获得学院技术成就奖。她的软件被用于制作许多电影，包括《预备玩家1》(Ready Player One)、《变形金刚:月黑之时》(Transformers: Dark of the Moon)和《加勒比海盗:世界末日》(Pirates of the Caribbean: At the World ‘s End)。她在2017年成为学院视觉效果分部的一员。

泰勒是环球影城后期制作的总工程师，他在那里发明了MediaSeal，担任产品总监并获得了另外三项专利。他设计了许多多音频格式的重录舞台(Atmos, DTS-X, IMAX)， ADR和弗利房间，放映厅和环球公司的BluWave音频设施。在他38年的职业生涯中，他还为卢卡斯电影有限公司(Lucasfilm Ltd.)旗下的Droid Works工作，为编辑编写软件，并培训编辑使用EditDroid图片编辑系统;咨询华特迪士尼动画集团动画部门数字技术转型;他是索尼电影公司SDDS系统的早期先驱。泰勒是学院的声音分部，音频工程学会(AES)， SMPTE和电视艺术科学学院的成员。

理事会2018-2019年度的联席主席是Wendy Aylsworth和视觉效果部门总监Craig Barron。

委员会的其他17名成员还包括学院院长约翰·贝利、纳菲斯·宾·扎法、玛丽安·布兰登、罗布·布雷多、安妮·张、比尔·科索、道格拉斯·格林菲尔德、罗布·胡默尔、安德里亚·卡拉斯、学院院长约翰·诺尔、艾灵·李、贝弗利·帕斯捷斯克、卡里·菲利普斯、道格拉斯·罗布、利昂·西尔弗曼、学院院长迈克尔·特隆尼克和史蒂夫·耶德林。

科学技术理事会是由科学院理事会于2003年成立的，它为信息交流提供了一个论坛，促进行业内各种技术利益之间的合作，赞助出版，促进教育活动，并保存电影科学技术的历史。

AMTV LOS ANGELES — David Ayer, Rod Bogart, Theo Gluck, Leslie Iwerks, Colette Mullenhoff and Jeff Taylor have accepted invitations to join the Science and Technology Council of the Academy of Motion Picture Arts and Sciences, bringing the Council’s 2018–2019 membership roster to 25.

Ayer is a director, producer and screenwriter whose credits include “Bright,” “Suicide Squad,” “Fury,” “Sabotage,” “End of Watch,” “Street Kings” and “Harsh Times.” He also wrote screenplays for several acclaimed features, including “S.W.A.T.,” “Dark Blue,” “Training Day,” “The Fast and the Furious” and “U-571.” Ayer is the co-founder of the independent studio Cedar Park Entertainment. He became a member of the Academy’s Directors Branch in 2017.

Bogart is an imaging science technologist who has worked for such companies as Industrial Light & Magic, Pixar and HBO. At ILM, he was instrumental in the design, implementation and deployment of the industry standard OpenEXR image format, which is at the core of ACES (Academy Color Encoding System). As the lead color scientist at Pixar, he pioneered file-based workflows with Pixar’s image mastering team and contributed to the design of the system that became the Society of Motion Picture and Television Engineers Interoperable Master Format (SMPTE IMF). Bogart is a member of the Academy’s Visual Effects Branch, SMPTE and the Visual Effects Society (VES).

A 28-year veteran with Walt Disney Studios, Gluck is the director of library restoration and preservation. Since 2004, he has guided the studio’s restoration program and coordinated the digitization and preservation of a significant portion of the nitrate negatives on the studio’s classic animated features and shorts. During his tenure at Disney, he was part of the post-production team for Disney Character Voices International, and prior to that was the manager of film operations for Buena Vista Pictures Distribution. Gluck is an Academy Member-at-Large and serves on Science and Technology Council’s committees for technology history and education and public programs.

Director-producer Iwerks earned an Oscar® nomination for the documentary short “Recycled Life” and an Emmy® nomination for “The Pixar Story.” For more than a decade, she has produced, directed and edited feature and short documentaries, television specials, tributes, corporate films and digital content. Other credits include “Citizen Hearst,” “Industrial Light & Magic: Creating the Impossible,” “The Hand behind the Mouse – The Ub Iwerks Story,” and such environmental and social issue documentaries as “Pipe Dreams” and “Downstream.” She is a member of the Academy’s Documentary Branch, the Producers Guild of America and the International Documentary Association.
Mullenhoff is a research and development engineer at Industrial Light & Magic. In 2014, she was recognized with an Academy Technical Achievement Award for her contributions to the ILM Shape Sculpting System. Her software has been used in the production of numerous films, including “Ready Player One,” “Transformers: Dark of the Moon” and “Pirates of the Caribbean: At World’s End.” She became a member of the Academy’s Visual Effects Branch in 2017.
Taylor is chief engineer of post production at Universal Studios, where he invented MediaSeal, serving as the product director and receiving three additional patents. He has designed numerous multi-audio-format re-recording stages (Atmos, DTS-X, IMAX), ADR and Foley rooms, screening theaters and Universal’s BluWave Audio facility. In his 38-year career, he also worked for The Droid Works, a division of Lucasfilm Ltd., where he wrote software for and trained editors on the EditDroid picture editing system; consulted on the digital technology transformation of the animation department at Walt Disney Pictures Animation Group; and was an early pioneer of the SDDS system at Sony Pictures. Taylor is a member of the Academy’s Sound Branch, Audio Engineering Society (AES), SMPTE and the Academy of Television Arts & Sciences.
The Council co-chairs for 2018–2019 are Wendy Aylsworth and Visual Effects Branch governor Craig Barron.
The Council’s 17 other returning members are Academy president John Bailey, Nafees Bin Zafar, Maryann Brandon, Rob Bredow, Annie Chang, Bill Corso, Douglas Greenfield, Rob Hummel, Andrea Kalas, Academy governor John Knoll, Ai-Ling Lee, Beverly Pasterczyk, Cary Phillips, Douglas Roble, Leon Silverman, Academy governor Michael Tronick and Steve Yedlin.
Established in 2003 by the Academy’s Board of Governors, the Science and Technology Council provides a forum for the exchange of information, promotes cooperation among diverse technological interests within the industry, sponsors publications, fosters educational activities, and preserves the history of the science and technology of motion pictures.