AMTV, NEW YORK, Dec 7 – An open letter from two ninth-graders might seem like a small gesture against a prevalent national crisis, but Lydia Q. Lin and Eirene Hope Liu have chosen to aim their concerns toward the most powerful offices in American politics and technology—and they have done so in the language of both urgency and engineering.
Addressing President Donald J. Trump, First Lady Melania Trump, members of Congress, and tech titans Elon Musk and Jensen Huang, their proposal is as stark as it is specific: to harness artificial intelligence (AI) not just to drive markets or send rockets to Mars, but to keep dangerous weapons from ever crossing school territories. Lydia and Eirene write as youths who support “Making America Great Again” and insist that greatness now depends on the utmost safety of students, with them hopefully not being afraid of heading to school.
Lydia and Eirene situate their appeal at what they call a moral and political crossroads, invoking a campus stabbing of conservative speaker Charlie Kirk and two decades of school shootings as the backdrop to their fears. They pose a question that cuts through ideological divides: if the United States leads the world in AI, robotics, and advanced engineering, why can it not prevent weapons from entering schools in the first place?
In that tension between high-tech prowess and basic security, Lydia and Eirene carve out a distinct role for themselves: not as victims-in-waiting or passive students, but as visionaries in hoodies and backpacks. Lydia, who serves as Director of the YLDO Youth Business Council, brings a budding strategist’s mindset to the problem. Eirene, Director of the YLDO Youth Art & Fashion Council, approaches the same crisis with a creative lens, envisioning how design, communication, and symbolism can help shift entrenched institutions toward change.
Their vision is unabashedly ambitious. They call on the White House to link “Make America Great Again” with “Make America Safe Again,” arguing that a superpower unable to safeguard its children has forfeited any claim to moral leadership. At the same time, they are shrewd about power: they address Melania Trump as a potential champion for youth, invite Barron Trump as a peer to join their “Make America Safer” initiative, and place their letter firmly in the public square as “an open letter to the people of the United States,” not just a private appeal.
At the core of Lydia and Eirene’s proposal is a detailed vision for an AI-driven school safety system that inverts the current logic of campus security, shifting from a reactive to a preventive approach. They outline a four-part framework: federal funding to modernize school security infrastructure, deployment of AI-powered scanning systems capable of detecting concealed weapons before entry, proactive threat-detection mechanisms such as robotic patrol units, and a commitment to equitable access, ensuring that both rural and urban schools receive protection. This is not a vague plea to “use technology better,” but a blueprint that borrows the language of legislation and systems design.
In recent years, leading technologists, including Musk, have signed open letters warning about unregulated AI development and calling for “shared safety protocols” and stronger governance. By contrast, Lydia and Eirene press for a different kind of AI safety: systems engineered to prevent physical harm in the hallways where they and their classmates walk every day. They are not dismissing long-term concerns about AI; rather, they are insisting that America’s first duty is to prevent the next stabbing or shooting, not simply to debate speculative future catastrophes.
This focus on AI as a guardian, not just a disruptor, also reflects the philosophical bent of the World Harmony Foundation, the New York–based nonprofit ecosystem in which Eirene has emerged as a young creative figure. The foundation has long operated at the intersection of youth leadership, environmental stewardship, and diplomacy, positioning itself as a bridge between international institutions and emerging generations.
Within this framework, the teens’ unusual addressees come into focus. Musk and Huang are not only avatars of AI innovation, but also embodiments of the “giants” who, in Lydia and Eirene’s eyes, have the resources and influence to accelerate a “nationwide revolution in safety technology.” Their appeal to these leaders is as much moral as technical: if industry can build autonomous vehicles and foundational AI models, surely it can help engineer campus scanning systems and predictive patrols that make “thoughts and prayers” obsolete as a national response to tragedy.
If Lydia’s voice leans toward policy and systems, Eirene’s story emerges from a different but complementary trajectory: art as diplomacy and youth as moral witness. As a young Harmony Ambassador within the World Harmony Foundation network, she has already navigated spaces many adults never enter, from youth painting exhibitions connected to United Nations events to ceremonial artistic gifts for global leaders. In these settings, she has learned how visual symbolism can move people where spreadsheets and speeches cannot, a lesson that surfaces in her insistence that America’s security crisis is also an emotional and cultural wound.
The World Harmony Foundation itself has spent years championing harmony between humans and the natural world, elevating youth voices on climate and peace from UN conference halls to national media. Its model often pairs youth-led creative expression with concrete policy ideas, aiming to shift environmentalism and peace-building from lofty rhetoric to pragmatic action. When young representatives of the foundation have taken the stage in international forums, they have pressed older diplomats to let youth help write the “blueprints” for the future, whether in climate policy or waste reduction. Lydia and Eirene’s letter can be read as a domestic echo of that same stance: an insistence that young people have both the right and the responsibility to help design the systems that will govern their safety.
This blending of artistry and policy has defined Eirene’s emerging profile. Her creative work for the foundation has not been limited to canvases; it has extended to public storytelling that seeks to “arrange hearts of gratitude” and illuminate what the organization calls a harmonious youth. Through these efforts, she has developed a sense of how aesthetics and narrative can frame urgent problems in ways that invite shared responsibility rather than despair. In the context of school safety, that means describing AI not as an alien force to be feared, but as a tool that, properly governed, can help fulfill the fundamental promise that a school should be a sanctuary, not a battlefield.
Lydia’s path through youth business and leadership circles has exposed her to another side of the World Harmony ecosystem: the need to translate moral aspirations into budgets, statutes, and institutional commitments. In her call for a “Protect School & Community Safer Act,” she echoes the foundation’s habit of pairing big ideals with operational detail. The act, as she conceives it, is about more than hardware; it is about enshrining equity in safety, ensuring that high-tech defenses do not become yet another privilege reserved for affluent districts while rural or underfunded schools remain exposed.
Together, Lydia and Eirene embody a quiet but consequential shift within their generation: they do not wait for adults to invite them into the room; they knock on the heaviest doors they can find. Their open letter’s addressees are a map of the institutions they believe must be linked if the country is to move beyond reaction toward prevention.
Ultimately, the story of Lydia Q. Lin and Eirene Hope Liu is not merely about two teenagers entering the realm of national security policy. It is also about the kind of civic imagination that organizations like the World Harmony Foundation have sought to cultivate: one that sees no contradiction between painting a vision of planetary regeneration at the United Nations and demanding an AI-enabled shield around an American middle school. For the foundation, the stakes are continuous: a society that cannot protect its children at home will struggle to honor its commitments to peace and sustainability abroad.
From the foundation’s vantage point, Lydia and Eirene’s open letter offers a glimpse of how Generation Z might redefine leadership in the age of artificial intelligence. They use the tools available to them—language, symbolism, and the moral authority of youth—to press those with power to treat safety not as a partisan trophy but as a universal baseline. And they do so with a conviction that the technologies transforming economies must also transform the lived experience of walking into a classroom.
As the World Harmony Foundation has often argued in its work on environment and peace, true harmony is not passive; it is a deliberate alignment of innovation with compassion. In elevating Lydia and Eirene’s call for AI-powered campus security, the foundation extends that principle to America’s most intimate public spaces, suggesting a simple but demanding standard for this technological moment: before humanity reaches for distant planets or ever more powerful algorithms, it must prove that it can safeguard the children who step through school doors each morning, trusting the adults who built the world around them.
11月3日,消费者新闻与商业频道(CNBC)报道称,据知情人士透露,娱乐巨头迪士尼(Disney)正计划裁减数千个工作岗位,并要求部分管理人员将成本削减最高达20%的成本。由于未获授权公开发言,这些知情人士要求保持匿名。 这是迪士尼公司首席执行官乔什·达马罗(Josh D’Amaro)在今年早些时候掌舵以来进行的最新一轮裁员。此前,该公司4月份曾计划主要集中在市场部门裁减多达1000名员工,并在9月份计划主要涉及人力资源和技术部门裁减约300名员工。 在8月份发布的财报中,迪士尼高管曾预警称,未来可能会有进一步的裁员举措。首席执行官达马罗与首席财务官休·约翰斯顿(Hugh Johnston)在8月5日致股东的一封信中写道:“我们高度重视在全公司范围内削减成本,旨在腾出更多资源用于投资增长,目前我们正在评估各种可行方案。这项工作正处于推进过程中,后续我们将及时通报进展。” 8月份,迪士尼公司还推出了一项针对部分员工的提前退休计划,该公司首席人力资源官索尼娅·科尔曼(Sonia Coleman)在8月24日致员工的一封信中写道:“这是我们重塑组织架构所采取的若干举措之一,其中包括已经在部分部门启动、并将持续至明年的非自愿裁员。” 迪士尼公司并非唯一一家寻求削减成本的娱乐公司。影视播放平台奈飞(Netflix)在上个月的一份备忘录中表示,将裁减约6%的员工。此外,电影制片商派拉蒙(Paramount)与华纳兄弟探索公司(Warner Bros. Discovery)合并后形成的新实体天舞传媒(Skydance),预计也将进行裁员,旨在3年内实现60亿美元的协同效应。 迪士尼公司将于11月17日公布其2025财年第四季度财报。根据该公司的年度财务报告,截至2025财年结束即2025年9月,该公司拥有约23.1万名员工。
11月3日,美国中期选举投票日之际,前白宫新闻秘书卡罗琳·莱维特(Karoline Leavitt)今天在福克斯新闻(Fox News)节目《福克斯与朋友们》(Fox & Friends)中谈到,她为何认为民主党人塔拉里科(James Talarico)提出与特朗普总统的合作意向并不“真诚”。 莱维特在节目中讨论了关于民主党人詹姆斯·塔拉里科(James Talarico)与特朗普总统合作的言论时说:“我一秒钟都不相信。”她随后批评民主党人:“他们极其不真诚。” 莱维特认为,民主党候选人通常会在党内初选结束后,刻意表现得温和、务实,以争取选民支持;但一旦当选,仍然会按照其原本的进步派立场执政。她还特别指出,塔拉里科过去在移民、边境安全、性别议题及移民执法等方面的表态,与特朗普政府存在根本性冲突。 莱维特的结论是:如果塔拉里科当选参议员,他很可能加入民主党阻挠特朗普政府政策的阵营而不是与特朗普合作。 此前,塔拉里科公开表达了与特朗普总统合作的意愿,明确提出医疗、住房和儿童托育等合作领域。但他希望合作的是特朗普总统的部分政策承诺,而不是无条件支持特朗普政府。 11月2日,塔拉里科在播客节目 《首席执行官日记》(Diary of a…
11月3日,美国总统特朗普在今天在福克斯新闻台(Fox News)上表示,美国对以色列的援助将于今年年底结束;他认为以色列已不再需要此类援助,完全有能力自行购买武器。据特朗普称,这40亿美元既包括军事装备,也包括现金。 特朗普总统指出:“随你怎么定义都行,你可以把它看作易货贸易,也可以看作军事援助或现金。这就是我们提供给他们的东西,价值40亿美元的物资与资金,而他们其实并不需要这些。” 特朗普总统表示,他与以色列总理内塔尼亚胡(Benjamin Netanyahu)多年来一直在讨论终止美国对以色列包括“物资和资金”或“易货贸易”援助,并称该想法正是由内塔尼亚胡提出的。内塔尼亚胡认为,以色列是一个“非常繁荣的国家”,已不再需要此类援助。 特朗普总统表示:“他们不需要这些,以色列是我们最重要的盟友。我们给予他们的支持比给予任何其他国家都要多,而他们现在已经不再需要这些了。我们之前一直在向他们提供40亿美元,现在也还在提供,但到今年年底,这笔资金就会中断。” 现行的美以安全援助协议规定,在2028年之前,美国每年向以色列提供约38亿美元的援助。内塔尼亚胡此前曾表示,希望逐步减少以色列对美国军事援助的依赖,但对于该协议若要进行调整,其具体时间安排和条款细节尚未明确。 特朗普总统表示,这些援助已成为政治博弈的目标;他补充说,内塔尼亚胡也明白“这是他们之间的分歧点之一”。 10月,内塔尼亚胡在接受以色列一家电视台采访时说:“如果你认为我们还能继续获得我曾两次争取到的,即数百亿美元的美国国防预算援助,那么请做好心理准备,去接受‘这种情况不会再发生’的事实,因为美国已经变了。” 特朗普总统与内塔尼亚胡达成了这项新协议。内塔尼亚胡目前正面临艰难的选举期,其政治前途尚不明朗;在多条战线与恐怖分子及伊朗交战的背景下,以色列议会(Knesset)内部各方势力正试图就组建联合政府达成共识。 特朗普总统指出:“内塔尼亚胡曾与我接触,我们讨论这件事已经有几年了,因为这涉及一大笔资金,是他主动提起的。他说:‘我认为,如果我们不再接受援助,或许会更合适。’” 特朗普总统承认该消息具有政治色彩,并提到了密歇根州参议院席位的激烈选战,由民主党人阿卜杜勒·埃尔-赛义德(Abdul El-Sayed)对阵共和党人迈克·罗杰斯(Mike Rogers)。 特朗普总统表示:“为什么我们要忍受像埃尔-赛义德这类疯子的抨击,而他们根本就不需要这些援助呢?这是一个糟糕的论点。”…
11月2日,维珍银河(Virgin Galactic)发布了其新一代航天器“无限号”(Apeiron)。此举使该公司在经历了多年的运营暂停后,距离其计划于2027年恢复商业航天飞行又近了一步。 “无限”(Apeiron)一词源自古希腊语,此名称是通过一项公开投票选出的,该投票曾吸引了来自6大洲80多个国家的数千人参与。 维珍银河公司该款最新一代的航天器现已抵达位于新墨西哥州的“美国航天港”(Spaceport America),将在2027年正式投入商业运营前进行最后的准备工作及飞行测试。 维珍银河公司表示,若测试计划顺利完成,将于2027年第二季度初开始利用“无限号”航天器执行商业航天飞行。第二艘新一代航天器则预计将于2027年第二季度末或第三季度初投入商业运营。 维珍银河公司的这款新型航天器旨在实现每周最多2次的飞行频率,并在其服役期内完成超过500次任务;这将有望使该公司能够更频繁地开展商业飞行。该公司上一次执行商业航天飞行是在2024年,此后该公司暂停了运营,以便集中精力开发其新一代航天器。 “无限号”在亚利桑那州梅萨市(Mesa)的维珍银河(Virgin Galactic)航天器工厂亮相后,被挂载在该公司的母舰飞行器“Eve”号下方,运往“美国航天港”(Spaceport America),这里将成为该航天器的永久驻地及运营基地。该航天器于山地标准时间(MST)上午 10:29 从凤凰城-梅萨门户机场(Phoenix-Mesa Gateway Airport)起飞,并于山地夏令时间(MDT)下午 12:59…
11月2日,联邦治安法官齐亚·法鲁基(Zia Faruqui)今天驳回了一项刑事控告。该控告指控前美国联邦调查局(FBI)高级反间谍官员尼基·弗洛里斯(Nikki Floris)或布拉德利·贝纳维德斯(Bradley Benavides),他们在美国国会作证时,就其在该局针对前总统拜登儿子亨特(Hunter Biden)的调查中所扮演的角色撒了谎。该法官指出,这起充满政治色彩的案件缺乏证据,且其提起的时间点似乎与美国中期选举有关。 法鲁基法官在口头裁决中称,美国司法部和联邦调查局此案“草率”,并表示完全没有“合理根据”来认定弗洛里斯或贝纳维德斯曾犯下罪行。 法鲁基称:“既无动机,也无直接证据,我手里什么都没有,这根本站不住脚。完全是无稽之谈。此案中发生的一切令我深感不安,这整件事除了被形容为‘武器化’(即利用司法程序作为政治工具),别无他词可言。” 依据美国法律,该案控告尽管已被驳回,但美国司法部仍可就法鲁基的裁决向首席法官提出上诉,或寻求通过大陪审团进行起诉。 弗洛里斯曾是联邦调查局华盛顿外勤办公室的一名高级情报分析主管,而贝纳维德斯则曾担任联邦调查局反间谍部门的副助理局长。该裁决宣布后,这两人如释重负地在法庭外拥抱在一起。 多名前美国司法部和联邦调查局的高级官员到场声援他们,其中包括联邦调查局前代理局长布莱恩·德里斯科尔(Brian Driscoll)和联邦调查局华盛顿外勤办公室前负责人史蒂夫·詹森(Steve Jensen)。 弗洛里斯的律师之一玛格丽特·多诺万(Margaret Donovan)在法院外声明称:“这起案件根本就不该被提起。这份指控极其草率,简直是胡乱拼凑、毫无根据,充斥着关于亨特的阴谋论幻想。但在法庭上,事实依然至关重要。” 检察官通过一份“刑事控告书”(criminal…
11月1日,美国国务卿马可·卢比奥(Marco Rubio)今天表示,特朗普总统希望通过“外交途径”解决与伊朗的冲突,并倾向于避免使用军事力量。 卢比奥在周末表示:“他(特朗普)尚未做出决定……总统向你们传达的是一种极强的自信:如果我们需要采取军事行动,我们完全有能力做到这一点,而且我们确实拥有取得成功所需的一切条件。但我们更倾向于以和平方式解决问题。” 卢比奥在发表番言论之际,虽然美国方面尚未明确表示计划恢复对伊朗的打击,但《华尔街日报》和《纽约时报》的报道指出,美国正在为11月3日中期选举后可能重启的军事行动做准备。有报道称,伊朗也在为打击美军行动做准备。 伊朗最高领袖莫杰塔巴·哈梅内伊(Mojtaba Khamenei)10月31日要求伊朗武装部队以“迅速、有力且不受地理限制的回应”,来应对“任何程度或类型的威胁”。他还下令更新伊朗军队数据库,确保“美国与犹太复国主义敌人的所有各类有形及无形资产,都处于武装部队的打击范围内”。 特朗普总统今天在接受“右翼广播电视网”(RSBN)采访时表示:“我们已经取得了巨大的胜利,很快就会以某种方式彻底了结此事。要么他们达成协议,要么我们就直接终结这一切。” 与此同时,伊朗将矛头指向英国情报机构。伊朗外交部今天将英国的军事情报机构列为“敌对团体”,并指责英国皇家海军和皇家空军支持“恐怖组织”。 伊朗外交部在社交应用Telegram上发文称,此举是对英国方面所谓“恶意”行径的回应;这些行径包括将伊朗伊斯兰革命卫队(IRGC)认定为“恐怖组织”。 伊朗还指责英国允许美军使用其军事和后勤基地,从而参与了美伊之间的对抗。据英国广播公司(BBC)此前报道,英国曾允许美军使用费尔福德皇家空军基地(RAF Fairford)和迭戈加西亚岛(Diego Garcia)基地,对伊朗实施所谓的“防御性”打击。